'The best books, reviewed with insight and charm, but without compromise.'
- author Jackie French

Friday, 26 February 2010

Interview: Author Meg Cabot


Princess Meg


Kids Book Review is absolutely thrilled to welcome outrageously successful kids' author Meg Cabot! I hope you enjoy this fun interview as much as I did. Love your work, Meg!

Tell us a little bit about You. Hi! I’m from Bloomington, Indiana, which is a small town in the middle of America surrounded by cornfields! I couldn’t wait to move away. Although there is a big university in the center of it at which my father taught, so when I was older, I got to go to school there for free.

I got so used to living on a university campus that when I graduated and moved to New York City to be an artist (my dream), I got a job as a college dorm administrator at New York University to support myself until my dream of being an artist came true (I had many other jobs as well, including a salad bar attendant, receptionist, and nanny!), because that’s where I felt most comfortable.

Unfortunately (or fortunately, as it happened) my dream of being an artist didn’t work out. No one liked my drawings very much, but everyone liked the stories I wrote to go with them!

How long have you been writing? I’ve written stories since I could hold a pen. I always illustrated them. I didn’t try to get just a story, not an illustrated story, published until my dad died, when I was 26. Before that, I was always busy trying to be an artist.

When my dad died, I realized that if you’ve always wanted to try something (and I did always want to try getting a novel published—I had a lot of them stuffed under the bed; I was just too shy to show them to anyone), you had better hurry up and do it. You don’t have much time on this earth.

What genre do you write in? I guess I write what’s called 'women’s fiction' and children’s books (also young adult fiction). Sub-genres of this include mysteries, paranormal and humorous fiction.

You write several highly successful series for young people, including The Princess Diaries. Having recently read and thoroughly enjoyed Stage Fright, I’d love to know how you came up with your Allie Finkle’s Rules for Girls series? I had so many younger sisters of readers of my books for older girls and women ask “When are you going to write something my mom will let ME read?” that I thought I’d better hurry up and do it. So I came up with Allie, who is a little bit based on me when I was a girl! She has two younger brothers, like I do, and her parents work at a university, like mine did.

Which of your series is your very favourite and why? Oh, I really couldn’t say. Just like your mother loves all her kids the same (or so she says), I love all my books the same.

How often do you write and how does a typical writing day go for you? I’m very lucky because writing is my favorite thing to do, and to be able to do what you love all day is the definition of a happy life (while also being around people you love). The icing on the cake is that I actually get paid to do it! Of course I used to do it for free all the time anyway, but I try not to let my publishers know that!

Why do you write? Oh, I don’t know. It’s just so fun to make things up. When I was a little girl, I used to spend every evening plotting out the elaborate games of Barbies or Star Wars action figures I was going to play with my friends the next day. Then I would force them to act out the plots exactly the way I’d planned. I realize now that’s why I had so few friends!

How have you dealt with your phenomenal success and what are the positives and negatives of being so well known? Of course it’s wonderful to be able to do what you love and have people give you positive feedback for it, and I love my readers for that. But for a long time I didn’t get any positive feedback at all (my books were rejected for many years, and I wrote books under other names for a while that had very few fans). I still wrote, because I loved it.

So I think it’s important to keep in mind that success is cyclical and what’s important is not what others think of what you do, but that YOU love what you do.

Also, I’ve found that that Pussycat Dolls line from their song When I Grow Up is really true: Be careful what you wish for, because you just might get it. Once you get a bit of fame, people who hated you in school suddenly claim to have always been your best buddy!



What originally made you decide to write children’s books? You know, that was never a conscious decision. I wrote The Princess Diaries for adults. My agent said it was for children. I was surprised to hear that. My friends and I are always having a laugh over it.

What do you love most about producing books for children? The letters from readers. They’re amazing. I answer every one. Not in a timely fashion (and it’s almost impossible to answer all the emails, Facebook messages, Tweets, etc, though I try). But the handwritten ones get answered.

Do you remember the first story you ever wrote? Yes, it was called Benny the Puppy, and I wrote it when I was 7. I illustrated it, too. Benny’s family perished in a freak prairie tornado. But it was OK because he was raised by a kindly Native American tribe.

What are the greatest blocks or obstacles you have experienced on your writing journey? Hmmm. Sorry, long answer: I know people might expect me to say rejection, and I did get rejected for many years, and I still do get rejected sometimes (all the time; my own publisher in England just rejected my latest book, actually! But another publisher there snapped it up, so that’s OK).

But rejection just makes me angry and fuels me to write more! I always say, “Make your haters your motivators!”

I think one of the blocks people who want to be writers don’t expect or even think about is, “How do you juggle a full time day job and being a writer?” Because the truth is, very few writers receive enough money from their books to support themselves on writing alone. Which is surprising, I realize.

Not everyone can be JK Rowling or Stephenie Meyer and have a huge hit book right away. Most authors write for many years before they earn enough money from their books to live from. This was certainly true of me.

I wrote on the side for ten years as well as working a full time job to support myself, so I know…it’s HARD! People ask me all the time: How do you write so many books? Easy: I gave up vacation time, weekends, nights out with friends, visiting my family, having kids, everything, in order to be able to find time to meet my deadlines and also pay my rent and have health insurance.

Balancing it all is a juggling act. You really have to respect people who love writing so much that they’re able to give up so much to make it work.


How has the children’s literary scene changed in the past decade? Well, certainly when I started out writing, paranormal wasn’t as popular as it is now, although I had a paranormal series (The Mediator). My original publisher fired me from writing it for lack of sales! So that’s quite a difference. Now my inbox is inundated with emails from readers begging me to continue the series. So I’ve started two new paranormal series (Insatiable, to be in US stores in June 2010, and Abandon, in US stores next April 2011).

What advice would you have on writing stories for children and teens? Write the kind of book you’d love to read, but don’t write for the market—the market changes as quickly as we change the ringtone on our mobile phones!

Don’t ever copy someone else’s voice—or style. Your voice is what makes your book unique! Let it come out in your writing.

For more tips on writing, visit the FAQ section of my website, or the Writing Forum of my message boards.


If you couldn’t be a writer, what would you be? Oh, I’d love to work at Urban Outfitters or a place like that. I love clothes combined with loud rock music! More realistically, I’d love to be a teacher. I think that would be difficult, but incredibly fulfilling.

Less realistically… a police dog handler! I know that’s crazy, but my brother is a police sergeant and he saves people’s lives every day. He just got an award for saving a 15-year-old girl’s life the other night by giving her CPR after she had an asthma attack at her birthday party.

But I’d still only do it if I could have a police dog, because I love animals.

What books did you read as a child? Oh, I read everything I could get my hands on—adult books, kids books, comic books, whatever. Mainly books my parents left lying around (spy thrillers and mystery novels—my dad, and classics and women’s fiction—my mom). Not strictly kid books, but I think kids know what they’re ready for—anything that looks interesting to them! If I didn’t understand something, I’d just ask my mom and she’d tell me what it meant. This was how when we got to the 'classics' in school, I’d already read them. So I was bored a lot in school—that’s how I got interested in art—I was always doodling in class!

Name five of your favourite children’s books of all time: Wow! This is so hard.

A Little Princess by Frances Hodges Burnett.
Are You There God? It’s Me Margaret by Judy Blume
A Wrinkle in Time by Madeline L’Engle
The Prydain Chronicles by Lloyd Alexander
I also remember loving anything by Susan Cooper


What are some of your favourite interests? I’m interested in creative writing and art—of course. I love stringing words together, kind of the way some people like to bead necklaces. Only to me, the beads are words! I like to try to make them fit exactly right. Drawing is the same way: making the picture tell the story exactly how you want it to.

I also like TV. Everyone needs a break! After I spend hours making words fit just the right way in order to tell my story, I like to take a break and see how OTHER writers tell THEIR stories (every television show has a writer—even 'reality shows').

I like reading. I’m very picky about the books I read, just like I am about the words I choose! The book has to be just right! It can’t be too long or boring.

I’m interested in the environment—I live in Key West, Florida, home to the most extensive living coral barrier reef system in North American waters, and the third largest coral reef system in the world. We’re working to preserve it.

I also love animals, just like my character, Allie Finkle! I have two cats, both of whom were strays! One, Henrietta, only has one eye, because as a stray kitten she had a terrible infection. She’s fine now, but she can’t see out of that eye. The other cat, Gem, only loves my husband, and follows him everywhere.

Describe your perfect day. Oh, this is boring, but: waking up late, having nowhere to go, eating Nutella on toast, drinking tea, taking a bath, getting dressed in snuggly clothes, getting back in bed, writing a few chapters of my book, getting back out of bed, and going down to a lovely meal cooked by my husband (he’s a trained chef), eating it, then watching TV, maybe a good movie, and then going back to bed (to watch more TV)!

Although I LOVE visiting with my readers, I have to travel so much for my book tours (to very far off places likes Los Angeles, Singapore, London, South Africa, Brazil, and New York) that my ideal days are when I just get to stay home and write and hang out with my husband and cats (and maybe go shopping with a friend or two)!

Describe yourself in five words. Oh my goodness. Well... Will work for pretty dresses (sad but true).

What’s next for Meg Cabot? Well, more Allie Finkle books, of course, and then the last book in the Airhead series, Runaway (in US stores April 20), and the first books in my paranormal series already mentioned - Insatiable and Abandon.

Visit the lovely Meg and see more info and upcoming book news at megcabot.com.

Review: How to be the Perfect Princess

Title: How to be the Perfect Princess

Author: Caitlin Matthews

Illustrator: Bee Willey

Publisher: Allen & Unwin, A$14.99RRP

Format: Paperback

ISBN: 978 1742 371122

For ages: 7+

Type: Picture Book

About: This delightful book, by the illustrious Princess Petal (a.k.a. Caitlin Matthews), is a divine princess guide, all wrapped up in a sparkling, purple and pink package. Little girls everywhere will truly sigh in their Cinderella pumpkin carriages.

The book commences with Princess Petal’s true story. Her nickname may be Goose Girl, however unlike many a famous princess, Petal was actually born into a privileged life before marrying Prince Pallas and becoming an author and living happily ever after. As princesses do.

We then move on to vital princess instruction, beginning with Etiquette for Princesses – how to be polite, truthful, honourable and grateful – perhaps reminders many a young miss needs nowadays.

There are also sections on deportment, how to move, walk up and down stairs and even sit like a princess. Hardly a patronizing how-to, the focus is instead a tongue-in-cheek guide to refinement – like how to walk in a long skirt and how to drape your princess gown so your ankles don’t show. Oh – and don’t fidget!

Princess Cordelia’s Guide to Dressing gives advice on what to wear to a variety of royal occasions from inspecting the guard to visiting hospitals, even monster fighting (appropriate attire is available from The Guild of Princesses Armoury).

There is advice on wearing crowns and tiaras (crowns get a little heavy), how to make a proper curtsy, and things a princess should avoid (drinks and apples that might be poisoned, for example). Priceless tips on princes and suitors includes questions to ask your love interest, like “what lasts longer than life?”. The answer? True love.

But there are also gentle reminders how important it is to be a gracious, fair and kind princess, who is accepting, patient, and tolerant – all qualities a parent would foster in any little princess. And for those little darlings who struggle a little on the good deeds front, never fear – there’s a school for wayward princesses.

For those girls new to the princess scene, there’s priceless information on how to make contact with fairy godmothers, the lowdown on spells and enchantments, how to apply for The Guild of Princesses, and tips going to The Ball and living Happily Every After.

How to be the Perfect Princess is lavishly illustrated by Bee Willey, who skillfully blends pictures of modern day girls with traditional beauties and plenty of sparkle. The book is laid out with plenty of visual delight, and although I personally feel the layout is a bit of a mishmash of too many differing styles, little princesses will be too agog at all the page-action to notice.

Coupled with intermittent stories of real life princesses and their journeys, which offer intriguing insight into both the famous and not-so-famous princesses of yore, and even fabulous advice on how to throw the perfect princess party, this handbook is not only a fun (and often funny), it will make your little one feel like a queen.

After all, every princess is a queen in waiting.

Author website
Illustrator website

This book is available online

Thursday, 25 February 2010

Interview: Author Jill McDougall



Who is this creative person? Jill McDougall

What does she do? She writes books.

What’s her story? Well… I live in a fabulous part of South Australia. Think deserted beaches, azure-blue seas, reefs to kayak around, wineries to visit and the best farmers’ market in Australia. Where is it? Not telling. Oh okay then, it’s Port Willunga – Australia’s best-kept secret so … keep it to yourself.

I share a stone cottage with my partner, two delinquent dogs, three black chooks and a spider called Ruth 2. (You don’t want to know what happened to Ruth 1 but let’s just say it involved a Size 10 boot and an instant diet.)

How long has she been writing? Ever since I discovered that pencils were not made especially for bursting bubble wrap and exploring little brother’s ear hole. I was probably nine when I began filling exercise books with stories and poems.

Does she remember the first story she ever wrote? Actually I don’t. Only that I sent it to the Junior section of the Sunday Mail and it wasn’t selected for publication. My first rejection! I do remember my first publication though. It was a letter to the editor of the Courier Mail hotly defending the Beatles’ long-hair look. “After all,” I argued, “Beethoven didn’t exactly have a crewcut.” Quite a good point, I thought.

What inspired her to write books for children? I was a teacher working with Indigenous students and desperate to find suitable (as in - culturally relevant) reading material. Eventually (motivated by despair) I wrote stuff for them myself. I began with poems as I thought the rhymes and rhythms of English would be almost a match for the gorgeous harmonic sounds of Western Desert language. My very first effort became the title poem of an anthology…

Anna the goanna
Is fat and slow
Her belly is like jelly
Wobbling to and fro
Here come the hunters
Looking high and low -
Go Anna! Go Anna!
Goanna go.

(And er…. this book is available through Amazon.)

How did she get her first book published? I sent my collection of poems off to Aboriginal Studies Press and voilà – the stunningly-illustrated Anna the Goanna was born.

What other genres has she written in? You name it – I’ve done it: plays, short stories, emergent readers, chapter books, novels, non-fiction. cartoons, poetry, newspaper articles, newsletters, e-books, even a greeting card…

Has Australian children’s literature changed in the past decade? I’m no expert and it’s hard to generalise but having said that, there is definitely a trend towards a multi-media approach. Fewer books are being published but the Chosen Ones have more marketing dollars thrown at them.

Titles now come with their own websites, video teasers, blogs, toys…. I recently spotted a new Andy Griffiths book plastic-wrapped with a pencil case.

Books are taking on a new look inside the covers as well. Some publishers are adopting a multi-genred approach to give stories (especially for younger readers) a lively, more vigorous look. This manifests as anything from font variations to the addition of cartoons and diagrams in fiction.


What are the greatest obstacles she has experienced on her writing journey? Ignorance. (Mine, that is.) I made time-wasting (and ear-reddening) mistakes such as sending a submission printed in blue ink (cringe) and decorated with photocopied logos of the series I was targeting (double cringe). Red-hot urgent note to all aspiring writers: research the industry standard (plain white paper, size 12 font, etc) and submit professional-looking work if you want to be taken seriously.

My other big mistake was sending work out too early. It can take years of editing and re-writes to get the best out of a piece. I once did 34 drafts of a 1200 word short story. It makes sense when you think about it… why not send out one highly-publishable piece than a dozen half-baked stories that will never see the light of day (but leave a poor impression).

Why does she write? It’s the most fun you can have on dry land. Pretty much.

What does she love most about writing for children? You can be ridiculously silly and they get it.


What advice does she have on writing children’s stories? Read my ebook on writing for children. I’ll send it to you free if you mention this site (contact me). There’s a lot to learn but this book with give you a head start.

What five things does she like to do other than write? In no particular order… adventure holidays, growing food, family, friends, pets, reading and… writing. (Yes, I know that’s seven. See my answer to the last question...)

What’s her favourite children’s books of all time? I’m hopeless at remembering titles. In the past few years I’ve really enjoyed Don’t Call me Ishmael (Michael Gerard Bauer) – I fell about laughing in the peg scene. Also Nick Earls’ 48 Shades of Brown and anything for Young Adults by Bill Condon.

Which of her own books is she particularly fond of? Dracula’s Revenge. It’s part of the Deep End series by Era Publications and it’s about the pressure placed on young people to conform. It’s a theme dear to my heart.


If she couldn’t be a writer, what would she be? I’d go on adventure holidays and, er… write about them.

What was her favourite game as a child? Playing teacher with 40 little square bits of wood. I’d write names on the wood and throw dice to decide where they came in class. Kept me absorbed for days.

What books did she read as a child? Anything by Enid Blyton. Christopher Robin stories and Pookie the Flying Rabbit.

What would be her perfect day?

4:30am: Editor rings. Breathless. She’s just finished reading my latest treasure and wants to offer a 7-book series, a movie deal and an opera.

4:55am: Editor rings back to say it was not a hoax. And what is my address for sending a Very Expensive Present?

10:00am: Breakfast at the Hilton to celebrate.

12:00pm: Fly business class to London to research new book on Gourmet Eateries of Europe.

What five words best sum her up? Bad. At. maths.


Visit Jill’s hilarious website and learn more about her books, plus loads of fascinating literary information. She’d love to hear from you! jillmcdougall.com.au

Review: Freestyle Football Street Moves

Title: Freestyle Football Street Moves

Author: Sean D'Arcy

Publisher: A & C Black, $22.99

Format: Softcover

ISBN: 9781408112809

For ages: 7+

Type: Information book

About: Football maniacs (yes, Dad... and you, Soccer Mum) will certainly learn some cool moves in this funky tome, compiled with the soccer trickster in mind. By tricksters, I mean those extraordinarily talented people who can take a soccer ball and pretty much levitate the thing in mid-air.

Sean D’Arcy (author of Freestyle Football Tricks) is an experienced Australian freestyle footballer and was even an official entertainer at the Sydney Olympic Games in 2000, so he probably knows what he’s kicking about.

This well-designed book features a mind-boggling assortment of moves that will not only impress the masses, but teach vital soccer ball handling skills.

The book is helpfully divided into ‘Nutmegs’, ‘Trick Passes’ and ‘Beat Moves’ (just in case you’re out of the loop, nutmegs are the ultimate street football move where the player passes the ball through a defendant’s legs and then keeps on running), and includes several types of each style.

Clear colour photographs and graphics helps the reader get a grasp on concepts very easily, and regularly placed ‘Tips’ and ‘Common Problems’ will give kids a gold medal chance.

Goal!!

Author website

This book is available online

Wednesday, 24 February 2010

A PicPocket for your Pocket - Digital Literature for Kids


As a mum of two kids who love to travel, I was ecstatic to e-meet Lynette Mattke recently. Lynette is the brains behind PicPocket - a literary app for your iPhone that will really get the kids reading.

There's been many a time I've baulked at carting tonnages of books away with us when we travel, and even when popping out in the car to do some running around.

I SO love the idea that I can whip out the iPhone and flip open a story book the kids can meander through... anything to keep them from topping bleeping creatures in some shoot-to-maim game. Everything to have them read at any given opportunity.

Lynette started PicPocket because she wanted to offer educational and culturally valuable apps as one alternative to video games for kids. She is a big supporter of literacy and wants kids and parents to have the option of having great books for kids (complete with pretty pictures) in their pocket whenever they are carrying a smartphone or iPod touch.

To learn more about PicPocket and my potential infatuation with it, I asked Lynette to fill us in.

What is PicPocket? PicPocket Books publishes quality children's picture books to the iPhone and iPod touch.

What are its origins? I founded PicPocket Books as an option for kids (and their parents) to access quality picture books on their mobile devices whenever they're on the go.

What is unique about it? Several features set PicPocket Books apart from other picture book apps for the iPhone. We offer a wide range of classic content from established publishers, including previously published board books, concept books, easy readers, fairy tales, and other culturally diverse picture books.

We produce our titles through an artistic process and its apps remain faithful in content to the original books. The full color illustrations are detailed and clear. The text is easily readable and we offer a 'learn-to-read' feature where the text is highlighted as the words are spoken, encouraging a connection between the written and spoken word for emergent readers.


How would people find this product useful? PicPocket Books are useful for families on the go - on short trips to the grocery store, the doctor's office or while waiting for a sibling's ballet class, OR on long car or plane trips.

Your smartphone is something you’ll always have with you when stuck in a line or another wait. Use that time to share a picture book with your child, and let the story spark a conversation.

Many families are short on time. E-books can be read any time, any place. We believe that if reading picture books on the iPhone means that more families are reading together and that more kids are exposed to storybooks, then they are a great option for the tech-savvy families of today.

What sort of feedback have you been receiving? One mum told me "It's the first time I didn't feel guilty handing my phone over to my kid," because it is a book, not a video game. We've had general requests for more titles, and we often get specific suggestions of favorite books people would like to see on our platform.

Can libraries and schools use PicPocket or is it targeted at individual consumers? At this point, PicPocket Books are available on the iPhone and iPod touch only. Most libraries and schools don't have these devices for public use, although some schools are considering introducing iPod touch devices to the classroom. Schools are also eying the iPad, and PicPocket Books will be available on those once they are introduced to the market.


What books are you currently featuring on PicPocket? We offer a wide range of classic content from established publishers, including previously published books. Some of our recent releases include Round Is A Mooncake (released for the Chinese New Year), Papa Gatto: An Italian Fairy Tale, and Oh, Crumps - a funny story about a farmer doing his chores.


What books qualify to be featured? PicPocket Books seeks books which expand horizons with rich, lively illustrations and which are particularly conducive to being read aloud again and again. We work with a variety of publishers and authors who produce books for the iPhone that have been previously published in print versions.

Our goal is to provide children and families with high quality stories that are fun to read and that honor diversity.

How can publishers or authors have their books on PicPocket? We accept submissions from publishers and authors.


Do books have to be pre-published? All of our titles have been previously published, but PicPocket Books will consider previously unpublished illustrated works.

What do you hope PicPocket provides kids? Whether we're talking print or digital books, reading is an active mental process: something to encourage at every opportunity. My hope is that PicPocket Books on mobile devices can help encourage kids to read more, more often. I also hope that parents will read the stories with their kids, and that the stories can spark questions and conversations that lead to quality time for parents and kids.



How can people download books? People can go directly to iTunes and search for PicPocket Books on the App Store, or visit our website at www.picpocketbooks.com and click on the iTunes button there which links to all of our titles on the App Store.

Where can they go for more info? picpocketbooks.com

For more information on how Lynette began her small business, you can see a fab interview on Lynette at Australian Women Online.

Tuesday, 23 February 2010

Review: Fairies - A Magical Guide to the Enchanted Realm

In the same vein as Pirates and How to be the Perfect Princess, both also published by Crows Nest (an imprint of Allen & Unwin), this informative book is for serious fairy lovers only. Aimed at an older audience than the typical be-fluttering, be-winged tot, Fairies combines whimsy with hard and cold fairy fact.

I love the comprehensive information packed inside this book and I particularly love that I learned learned learned stuff when I read it. Readers will discover Fairyland (and the rules fairies must follow if they wish to leave Fairyland and mix with humans), as well as all about the Fairy Queen’s Castle (Titania) and her special rules, the power of fairy dust, fairy arrows, fairy ointment, fairy spades, four-leaf clovers and fairy godmothers.

The NEW Riley and the Sleeping Dragon

Look how cute. This is the NEW Riley from page one of my first book in the series - Riley and the Sleeping Dragon.

The inimitable Kieron Pratt will be redoing all the illustrations from the first book and we will be re-releasing the book, even bigger and brighter than before!

Publication date is yet to be announced, but suffice to say you won't be disappointed.

Cute!

Sunday, 21 February 2010

Review: The Slightly Skewed Life of Toby Chrysler

If anyone understands the structure of a cracking story, it’s Paul Collins – an experienced and prolific author of both adult, young adult and junior fiction. In this latest book of adventurous mishap, Collins introduces us to the slightly skewed Milo (real name Toby) – a teen on the verge of a reality breakdown.

When Milo learns his mum has run off with the postman, he consults his best mate Fluke on the best way to track down a misplaced mother. Fluke, a young lad who – for all ‘intensive’ purposes – consistently trips over malapropism stumbling blocks, advises Milo a psychic detective may be his way to ‘make the best out of a mad situation’.

Mad indeed. When Milo sneaks into the room of his neighbour, the obese and psychically gifted Mrs Appleby, his sudden appearance at the foot of her sick bed sends the elderly woman into cardiac arrest.

Figuring it would best, for a variety of reasons, that Mrs Appleby probably shouldn’t die, Milo most bravely gives her mouth-to-mouth and manages revive her – long enough to receive a street name before the chronically afflicted Mrs A gasps asthmatically and gives up the ghost for the very last time.

Horrified he’d killed the woman not once but twice, and hearing the thumping feet of the fast-approaching Mr Appleby, Milo hotfoots it through the window and so begins a bizarre turn of events that trail this whacky teen, including dogs, police sirens and a disgruntled school principal, hell-bent on hate.

It’s not until he meets the mysterious Ginger, however, that Milo’s world really becomes skewed. Collins very cleverly leads the reader through a series of tangled plot trickeries – many a what-if and who-dunnits – en route to an ending that gradually unfolds but still packs a surprising end punch.

Making his characters likeable, somewhat bumbling and very real, readers will readily relate and warm to Milo’s story and his unfortunate series of misunderstandings. Many will also relate to the compromising positions Milo finds himself in along the way, and cheer him along.

Collins injects a tight pace, witty verbosity and relaxed humour to this whacky romp that makes the story attractive to both male and female readers. It takes a honed writing mind to blend nonsense with real-to-life characters and to incorporate surreal elements with those that smack of everyday reality. Collins does this effortlessly in The Slightly Skewed Life of Toby Chrysler.

It was a joy to meet the unfortunate but propitious Milo – and it was nice to finish this book with that nagging, gnawing (and somewhat frustrating) question in my mind: what happens next? This is by no means due to a sense of incompletion, but rather a sort of motherly, affectionate feeling that I really do care.

Let’s hope Collins finds the time in his busy writing schedule to reveal what’s next for Toby Chrysler – pushed and pulled from pillar to post, Toby's life may be skewed but it’s also intriguing.

The Slightly Skewed Life of Toby Chrysler is published by Celapene Press, A$14.95RRP. Ages – 9-13.

Paul Collins is the founder of Ford Street Publishing. Read an interview about Paul’s extraordinary literary life.

Teacher's Notes

Author website

Friday, 19 February 2010

Self Belief and Self-Publication by Neridah McMullin

Delighted to welcome Neridah McMullin as a guest poster on Kids Book Review. Neridah is the author of Ponkidoodle, a children's picture book designed to ease the nighttime worries of little ones (Little Steps, 2009). Here, Neridah shares her self-publishing journey in this fascinating article.

My decision to self publish wasn’t a difficult one because I truly believed in my character. His name is Ponkidoodle.

As far back as I can remember, Ponkidoodle has always been a part of my life. We lived in a rambling old house that creaked by day and groaned at night. But it was at night time when all was still and quiet that I would hear strange noises and hide underneath my blankets, eyes wide, jumping at shadows in the dark.

My father created Ponkidoodle to comfort and ease my night time fears.

Ponkidoodle is a tiny, magical friend who kept watch over our family home at night time. He could be anywhere at any time, in the roof, under the house, in between the walls - this friendly little monster was ever present.

Nocturnal by nature, Ponkidoodle has never been seen but his protective presence and love was felt in every corner of our home. Ponkidoodle took full responsibility for any strange and unexpected noises heard at night time. And living in the country, there were plenty - I was such a scaredy cat!

That strange knocking sound that you can hear? Oh that’s just Ponkidoodle (it was actually the hot water system ticking over). That banging on the roof? Oh that’s Ponkidoodle too (it was possums playing on the roof). And those late night clinking noises coming from the kitchen? That’s just Ponkidoodle emptying the dishwasher (good on you Mum!). And those noises coming from the loo? (I still don’t know what they were?!)

Nothing to worry about at all... just roll over and snuggle down tight. And I did. As the benefactor of Ponkidoodle, I was at peace with the knowledge that everything and everyone in my world was fine. Yes, Ponkidoodle is noisy and clumsy but he never hurts himself because he has perfect balance, always landing on his hairy feet. And so it was that my childhood passed in a safe cocoon of bliss.

For a few years there, I’d forgotten all about Ponkidoodle until our youngest son was born. And then Ponkidoodle returned, just when I needed him most.

I’d been writing short stories for a few years. I called them ‘farm stories’. They were stories that described my life on the farm as a child and the funny and crazy and tragic things that happened to us. I’d also written children’s stories and poetry and I’d submitted many submissions to multiple publishers. I’d had some interest and requests for re-writes but no bites.

Ponkidoodle had been through manuscript assessments and I’d done several writing e-courses and workshops through the Victorian Writers Centre and SCWBI to try to improve my writing. Ponkidoodle just didn’t have that ‘something’ that they wanted. They had so many other solo characters on their books, they felt he lacked appeal.

So I moved on and just kept on writing, learning more and continually trying to improve and hone my skills. Then I won a short story prize in the ‘2007 Banjo Paterson Writing Awards’ and that’s when I developed some self belief. I just knew then - Ponkidoodle had to be immortalised. He deserved to be with other children, to reassure and comfort them through their night time fears like he did for me and my brother, and now my little boy.

I spent hours researching self-publishing and thinking about the pros and cons each scenario presented. Two problems clearly stood out: the difficulties faced by self publishers in marketing and selling their books and the difficulty of distribution.

I decided that Little Steps at New Frontier were by far and above the best self-publishers available. Little Steps offered a great deal of support in the marketing and distribution of their books and a couple of phone calls later, I had negotiated a print run of 1000 books. I made a point to also speak to people who self-published with Little Steps and the reports were glowing.


Little Steps also provided professional editing, proofreading and design and they cleverly paired me up with an illustrator, Aaron Pocock who was amazingly suited to Ponkidoodle. He has captured him beautifully.

Little Steps have assisted in sending out 10 review copies, they organised the ISBN number and National Library registration and the best thing was that Ponkidoodle would be distributed via their own distribution channels and through Dennis Jones & Associates. They’ve also written up Press Releases for me and testimonials.

During this process, I wrote my own marketing plan for Ponkidoodle. I understood my target market but still felt I needed strategies to reach them.

Little Steps organised a children’s competition for Ponkidoodle in the print media involving a children’s competition with a free give-away and based on this model, I have replicated this with print media in my local area. Speaking of which, my local areas have been amazingly supportive. My old home town in Hamilton in South West Victoria has been incredible. ‘The Hamilton Spectator’ has run an editorial story on me and has advertised my school author visits in Hamilton, Port Fairy and Warrnambool.

Port Fairy is just down the road from Hamilton. I have spent every holiday there since I was born (and my parents live there permanently now). They have likewise been incredibly generous and supportive of me.

I had a book launch at Berkelouw Books in Armadale (where I currently live) and spent two weeks visiting six local primary schools. I had a second book launch at the Iron Bird Book shop in Port Fairy, followed by more school visits.

Ponkidoodle does have an internet presence. He is featured on my website and Little Steps at New Frontier. He had his own blogging launch prior to the ‘real’ book shop launches and my website has an e-commerce facility meaning that Ponkidoodle can be bought directly from my website.

Social networking sites such as Facebook have also been extremely useful in announcing Ponkidoodle to the world.

Australia’s leading on-line bookshop, Booktopia has been fantastic, also taking Ponkidoodle on, and the publication of Ponkidoodle has led me to other incredible opportunities. The Editor from One Day Hill Publishing read my cover letter with interest, as she grew up with a similar character to Ponkidoodle.

I have five more children’s books coming out in 2010. ‘Kick it to me!’ is my next children’s book for 5 – 8 year olds. It’s being published by One Day Hill and it’s the story of a young Tom Wills when he lived near the Grampians with the Djarb Wurung tribe. The Australian Football League is endorsing this book and it’s being launched in May next year to co-incide with the Indigenous Round of football.

Be sure to check out Neridah's website for other forthcoming books neridahmcmullin.com/Picturebooks.html

Thursday, 18 February 2010

Review: Gamers' Quest

I must admit, it was a stretch for me to open the cover of Gamers’ Quest, a teen/young adult fiction novel featuring computer-generated artwork. I ain’t a gamer and I certainly ain’t a teen, nor a be-pierced, sword-wielding maniac. What is this going to do for me? How will I possibly relate?

I guess, like any well-written and highly imaginative story, it doesn’t matter how old you are or if your game interests extend to how many grocery items you can fit in one plastic-free bag and… Sudoku. Gamers’ Quest entertained me. Not only that, I had the unique opportunity to enter a world I am increasingly edging out of, while my children increasingly edge in. Put it this way – I felt cool reading this book. And I also felt rather savvy – checking out the content of the very books my kids will soon read.

Wednesday, 17 February 2010

Review: Ponkidoodle

Title: Ponkidoodle

Author: Neridah McMullin

Illustrator: Aaron Pocock

Publisher: Little Steps, $24.95

Format: Hardcover

ISBN: 9781921042881

For ages: 3-7

Type: Picture Book

About: Monsters under the bed are just about as sure as superhero and fairy phases in the lives of most children, and nighttime fears can become a very real issue for the many kids who baulk at shadows and strange sounds cloistered in the dark.

Drawing on childhood memories of her father’s clever Ponkidoodle creation, author McMullin has brought to life a loving father’s attempt to hearten and ease his child’s fears of things that go bump in the night.

What is that noise coming from the kitchen? Why, it’s just Ponkidoodle stacking plates. What’s that bumping and crashing outside the window? Just Ponkidoodle, kicking pebbles with his shoe. What’s that scritching and scratching sound? Ponkidoodle again, scaling down the inside wall.

Offering an ‘answer’ to the fears that plague children brings them a comforting sense of ‘knowing’ that’s sure to help young ones hunker down for the night, safe in the understanding there’s nothing to be afraid of – it’s only Ponkidoodle.

This is McMullin's first picture book, and she has penned its pages with an obvious and infectious glee. Rhyme is notoriously hard to do well, and although the rhyming cadence of Ponkidoodle does occasionally skip a beat, McMullin writes with an openness and childlike candour that will really hook small children. I particularly love Ponkidoodle’s efforts on the loo, which is bound to elicit many a giggle from children and parents alike.

What I like most about Ponkidoodle is that he’s not been rendered (by artist Aaron Pocock) as some cutesy-pie fuzzball, resplendent with hovering butterflies. He is indeed a rather shabby, gremlin-like creature who has charm with a slight edge about it – enough to tweak fascination and curiosity in young readers.

He is also playful, pesky, clumsy and a wee bit naughty – much like children themselves. In this way, McMullin has offered up a totally relatable and lovable character in Ponkidoodle – one who is sure to become a bedtime staple for all kids with night issues.

I, for one, can't wait to read Ponkidoodle to my son Riley, who is still a little prickly with the dark. This funny, mischievous and intriguing little creature is sure to bring a little bit of light to his bedtime ritual.

Author website
Illustrator website

This book is available online:

Booktopia - A$22.45
SeekBooks - A$22.46
Fishpond - A$24.99

Tuesday, 16 February 2010

Review: The Reading Bug… And How To Help Your Child Catch It

Title: The Reading Bug… And How To Help Your Child Catch It

Author: Paul Jennings

Publisher: Penguin Books, A$29.95

Format: Paperback

ISBN: 9780143007456

For ages: Parents

Type: Literary guide

About: I have the reading bug. But how did I catch it?

It hit me at the first words in Jennings’ book. Before the first chapter, even before the table of contents - ‘To my mother, Phyllis Jane Jennings, from whom I caught the reading bug’. Jennings’ dedication brought back vivid recollections of family trips: Dad driving, with Mum, my sister and I each engrossed in a book. Dad, feeling frustrated, would often ask us to close our books and enjoy life. So lost in our stories were we, that if we happened to hear Dad, we would just stare at him in confusion.

You see, we were enjoying the world. It was just different to the one in which Dad was living. We were immersed in the lives of intriguing characters with names such as Matilda, Alice and Bilbo Baggins, their worlds full of love, friendship, heartache and humour.

That is the result of the bug. But where does it begin? I know I want my child to catch it, but how do I help her to do so?

According to Jennings, it all boils down to one simple sentiment. One that all parents have limitless amounts of - love. Jennings says, ‘Inject this into the reading situation and you will succeed.’ He tells us of the unspoken message we give our children when we take the time to read aloud to them: ‘You are the centre of my world’.

With a perfectly balanced combination of personal anecdotes and practical advice, Jennings shares his tips for helping parents to be involved in their child’s reading. He covers everything from choosing the right books for each child and assisting reluctant readers, to the role of gender and where computers should fit in a child’s life. Principles such as phonics are analysed in an easy to understand manner, without all the jargon usually associated with this type of book.

We are even provided with an impressive list of suggested books for every age group and reading ability level (also available at his website pauljennings.com.au).

Jennings uses his talents as a storyteller to guide us through the process of not just learning to read, but learning to love reading and books. His signature style - easy to read, straight to the point and, of course, that witty sense of humour, make The Reading Bug an enjoyable and useful reference guide.

Jennings’ passion for the topic is infectious, and even you will find yourself... well - catching the bug.

- this review by Megan Blandford of Writing Out Loud

Author website

This book can be bought online:

Fishpond - A$27.98
The Nile - A$26.99
Australian Online Bookstore - A$25.45

Monday, 15 February 2010

Interview: Author/Publisher Paul Collins


Who is this person? Paul Collins

What does he do? Author and publisher

Where can you take a gander at his stuff? fordstreetpublishing.com and paulcollins.com.au and quentaris.com

What’s his story? I was born on Canvey Island (UK). You’d be forgiven for asking “what island”? But it does have a few claims to fame, notably that it’s the only island below sea level (now there’s a paradox) and it’s where Dr Feelgood hailed from – that pub rock band with their “rivvum and blooze”. Oil was discovered there many years ago, too.

My family emigrated to NZ when I was nine and at eighteen I moved to Australia. I started publishing a magazine called Void, which in turn led me to publish hardcover and paperback science fiction and fantasy, the latter being the first high fantasy published in Australia. With two failed distributors (one disappearing, taking all my stock and owing me money) I took up writing adult fiction.

In 1995 I finally sold a children’s novel, The Wizard’s Torment, to HarperCollins. Since then I’ve had about 130 books published and over 140 short stories. While I was doing this my ‘real’ job was owning second-hand book and clothing shops. My last shop was called Tragically Hip. I sold that in 2000 when I started earning more money from my writing than I was making working seven days a week in the shop. My part time work during all this was as security in hotels. I gave that up when I turned 40.

How long has he been writing? I wrote a western novel when I was 14. I made the mistake many of us make and self-published it when I was 20. Although a distributor, Gordon & Gotch, agreed to distribute the book, they reneged so I was stuck with 2000 copies. Then Mirror Newspapers distributed it in Queensland only and I suspect not many copies have survived. The National Library actually emailed me a few years ago asking for a copy - lol.

What genre does he write in? Mostly fantasy, although for some unfathomable reason people think of me as a science fiction writer. Then again, if you studied my writing you’d see I’ve written everything from picture books through to adult, plus a lot of non-fiction and educational books.

What other genres has he written in? Basically my writing crosses all the genres. I did write a Mills & Boon novel with two female authors but it was never published. Dare I tell you it was called Australian Desire - lol.

What inspired The Quentaris Chronicles? The Quentaris Chronicles first series was Michael Pryor’s idea. He came up with the initial concept and asked if I’d like to collaborate. He’d been to Florence a couple of times and studied Renaissance Italy at university. The world of Quentaris is based on that history, although the caves that act as wormholes can take adventurers to any fantasy world the various authors want them to.

Being a shared-world, we worked with many of Australia’s leading authors, including Isobelle Carmody and Gary Crew. I came up with the second series concept, that is, the Spell of Undoing goes horribly wrong and the city is uplifted into a vortex and flung into the rift worlds where Quentaris becomes a floating ship, trying to find its way back to Amlas. Meanwhile, a rival city, Tolrush, is also sent through the vortex and becomes a pirate ship, stalking Quentaris from one rift world to the next.

This second series is also fully illustrated. I wrote book #1, The Spell of Undoing, Alyssa Brugman wrote book #2, The Equen Queen and James Roy wrote book #3, The Gimlet Eye.

His latest book – The Sightly Skewed Life of Toby Chrysler – is a whacky romp into the life of a teen whose world seems to come undone. Was Toby modelled on anyone?

I pity the poor kid if he is! But I know there are kids out there like Toby. Luckily their condition is more understood these days. When I was growing up they’d simply get put into a special class for ‘dunces’.

Will Toby and his friends go on another adventure? At this moment I have no plans to write a sequel. Hey, if it becomes a bestseller you can guarantee I’ll resurrect Toby and Fluke!

What’s a typical writing day like for Paul? No day is really typical anymore, not since I started Ford Street Publishing. The marketing and publicity alone could take up a forty hour week. I have to admit I’ve not been writing as much recently as I’d like. I do have a trilogy waiting here to be completed. I’ve completed book #1 of Maximus Black, but I’ve not really concentrated on getting it published. I also have a fantasy novel called Broken Magic waiting for some final polishing, but that hasn’t been out to publishers, either.

Basically, I spend several hours emailing people; liaising with authors, printers, agents, distributors, media; editing and proofreading; organising launches; reading manuscripts that come in; give writing workshops at libraries and schools. When you’re a small press publisher, you do everything. And sometimes I even get a chance to write.

Why does he write? I suspect there’s a subconscious need to. With me, I feel a bit frustrated if I’m not working on something. Right now, as I’ve said, I don’t get much of a chance to write, so I’m frustrated pretty much all of the time!

What made him decide to write children’s books? We all have our little niche in life. Most sadly don’t find it. I could have quite happily gone through my life struggling to write for adults, and even though I did get a stack of stories published, I was never going to become a full time writer writing those stories.

I particularly liked writing the hard-nut characters. In fact reviewer Colin Steele once said in The Canberra Times: “Collins has a penchant for the hard-boiled hero, a lineage derived from Hammett and Chandler”. Luckily I wrote a couple of juvenile novels that sold to major Australian and US publishers. That’s when I knew I’d found my niche.

Does he remember the first story he ever wrote? My first published story appeared in a US magazine called Weirdbook back in about 1977. It was rejected in a letter that was almost as long as the actual story! I rewrote it and resubmitted it and the editor bought it. I think the story was called The Test. It was a forerunner, believe it or not, to the Maximus Black trilogy that I’ve been working on.

What are the greatest obstacles he has experienced on his writing journey? Right now the major obstacle is time. Like most authors I also get disheartened by rejections. Whenever we finish a story or a book, we think it’s good. We send it out and wait. And wait. Then the seemingly impossible happens. It gets rejected. Time and time again. That is a real stumbling block for many authors, especially those with little confidence. No doubt many a potentially great writer has failed to meet their promise because they gave up too soon.

At Ford Street, I’ve published three Premiers and Territory short-listed books – all three rejected by major publishers. The thing writers need to remember is that they’re dealing with one person at a publishing house, and quality is extremely subjective. Hundreds of classics and best-sellers were rejected before finding their place on the best-selling lists. The first Harry Potter book is a typical example. Even JD Salinger’s The Catcher in the Rye was first rejected.

So when a publisher rejects my manuscript, I merely think they’ve made a mistake and send it on elsewhere. My best-selling books, Dragonlinks and The Earthborn, were rejected by just about every major publisher in Australia. Makes you wonder, doesn’t it?

What does he love most about writing books for young people? I like the challenge, and that’s across the board. It’s challenging coming up with plots that work; it’s challenging getting the MS published; it’s challenging doing the promotions so that the books actually sell to the public. I also like going into schools and meeting the kids and discussing the books and showing how the students can write as well.

What’s the ethos behind the titles at Ford Street Publishing? I currently like edgy, issues-based contemporary novels. As examples I’d say Crossing the Line by Dianne Bates; They Told Me I Had To Write This by Kim Miller and My Private Pectus by Shane Thamm. Having said that, I’m also publishing a picture book called The Star by Felicity Marshall and an urban fantasy called Solace & Grief by Foz Meadows.

How has the children’s literary scene in Australia changed in the past decade? One thing I have noticed is that twenty years ago science fiction and fantasy were all heavily featured in the Children’s Book Council awards. Think of the authors: Brian Caswell, Lee Harding, Allan Baillie, Victor Kelleher, Isobelle Carmody, Gillian Rubenstein, among others. But look at the CBCAs these days and you won’t see these names. I think it really has changed to more contemporary material, especially in YA. I’m not sure what’s next – if I knew I’d probably keep it to myself, lol.

What tips does he have on writing children’s stories? That can be summed up in one word: persistence. As I’ve mentioned, so many good books are rejected by people who either don’t know what they’re doing or are too blinkered to see what they’re missing out on. Never give up, and whatever you do, revise and review. Write draft after draft and improve and polish till something sells. Oh, and never leave an unsold manuscript in your house for more than twenty-four hours. (Not that I’m taking my own advice right now!)

If he couldn’t be a writer, what would he be? I’d still be in my second-hand stores, probably. If I’d had a career option, like a wish-list, I’d have loved to have been a professional sportsman. Trouble was, I always made the reserve or C teams in cricket, tennis and soccer. I did play A-grade rugby union for Hawthorn, but I think I was barely scraping through. I also tried my hand at kick-boxing (I have two black belts in martial arts: taekwondo and ju jitsu) but I lacked the killer instinct. My trainer was Dana Goodson, then Heavyweight Kick-boxing Champion of Australia, and he used to tell me I wasn’t aggressive enough. I think I was too defensive.

What books did he read as a child? Alas, I grew up in a house without a book, so I didn’t read when I was a kid. I did collect Marvel Group Comics – that’s where all my pocket-money used to go: Captain America; Spiderman; The Hulk; Sergeant Fury and his Howling Commandos, etc.

What else does he have a fondness for in life? Apart from publishing and writing – fitness/gym. My beautiful dogs, kelpie Jack and heeler Molly. The house that I live in and the suburb (our house is a bluestone built in 1861; sometimes I reckon I need never leave it). But that would make me a hermit. Dexter (gotta love that show). True Blood.

What five words best sum him up? Honest, hard-working, dog-tragic, loyal, punctual.

What’s next for Paul Collins? Hopefully the publication of Broken Magic and the Maximus Mole trilogy. Many more books from Ford Street Publishing. I have another four books due: In Lonnie’s Shadow by Chrissie Michaels; two chapter books in the Hazard River series from JE Fison and another David Miller picture book called Rufus the Numbat.

Ford Street Publishing is always launching a new book. Check out Ford Street’s website
fordstreetpublishing.com for more.

Regarding his list, Paul is delighted to announce that Felicity Marshall’s picture book The Star has sold 4000 copies before print; Borders is getting right behind Solace & Grief by Foz Meadows as is Bookseller + Publisher; and Shane Thamm’s My Private Pectus was short-listed for the Territory Read Award.

Stay tuned for a review of The Slightly Skewed Life of Toby Chrysler.

Saturday, 13 February 2010

How to Get an Idea with Lena Sjöberg

Photo: Klara Schyberg

Ed: One of the vital requirements of children's authorship is to be an Ideas Person - but even the most creative amongst us can struggle for inspiration. And what to do when you are inspired and publishers reject even the most fabulous of ideas?

Re-published with the kind permission of Anna Nilsson, enjoy this guest post by Anna from Pencil & Pipette.

One day on my meanderings on the good old web I took a wrong turn, ended up in an American web-shop and just as I was about to turn around and walk out something caught my eye – a tiny publication titled How to Get an Idea and penned or drawn by someone with a very Swedish name.

The website invitingly let me have a little peek inside, but since they – unsurprisingly – did not give any clues as to what the answer to the burning question might be, I decided to track down the author and write her an email. She turned out to be an incredible and amazing person with quirky beautiful work and interesting ideas.

And so, I’m honoured to present to you: Lena Sjöberg!

You’ve written and illustrated a little book on how to get ideas – is getting ideas a skill that people can learn, or is it an innate quality that some people are just born with?

Lena: If you are a person who likes solving problems and who easily get new ideas, you probably have access to your creativity.

And that, I think, it´s something you bring with you from your childhood. We all have that skill, more or less, from the start. But if you grow up in an encouraging environment, where you feel that creativity is a talent as useful and positive as many other skills, you will pay attention to it, and appreciate it. And you learn how toreally use it! And that is lifelong great fun!

But I also think you have the possibility to learn, even if you feel that you are inexperienced in this area! It´s all about practice.

A while ago, for example, I decided to start walking 30 minutes every day, and that I should use this time for focused creative thinking. (I needed time to think about how to come up with new illustration ideas,and new stories for books.) First I found it depressingly hard and boring. My head kept on echoing: I must think of something, I must think of something, I must think of something! For 30 long minutes. And no creative thoughts at all.

But after a while something started to happen. The echo in my head slowly faded, and small new thoughts began popping up. Now, when my feet start to move and I know I have this walk in front of me, I can almost hear the clanking sound in my head when some kind of creative machinery starts up. It´s really valuable! But of course, sometimes other thoughts slip in. About totally different things… And sometimes I´m just too lazy to go out at all.


You run your own publishing house – Ritförlaget. How do you start up an enterprise like that?

Lena: Lately here in Sweden, the big publishing houses have been growing even bigger (by buying up many of the smaller publishing companies). The conditions for authors and illustrators have grown worse. It is harder to get yourself published and sometimes you have to compromise (creatively) more then you wish.

For me, starting my own (very tiny) publishing house, was a way not to compromise with my own work. Some of my books are still published by the bigger publishing houses, but some I choose to publish myself – for example, books printed in small editions or noncommercial ideas - books that will not sell thousands of copies.

Starting up is the easiest part – you just register your company name and find out what you want to do with it. The hardest part is reaching out. Book stores are not interested in small publishing houses. But internet is a way out! Web book shops are super – you noticed my Idea book! And I also run my own big-cartel shop where you find the books by Ritförlaget. And blogging!

I think a lot about in what ways artists and designers can change the world. Do you feel like illustration is your calling, what you were meant to do on this earth? Is that important?

Lena: I have always felt a strong desire for making pictures of all kinds and making up my own stories. But sometimes when I meet skilled persons of other professions, like doctors or policemen or politicians, I feel so impressed about what they are doing. They are making good and important things for the world. They are making a difference! (Just think of the relief workers in Haiti this very moment!)

But as I really love my job, I guess I will continue making pictures and making up stories. I try to make the best books for children as I can. My ambition is to make books about things that I find really important. And hopefully people can bring these stories with them, in some way.

As an illustrator, photographer or graphic designer, you can also try to be aware of not using stereotypes in your work. That can be a way of making difference.

If you are an illustrator: choose to draw persons with different nationalities, even if persons skin colors are not mentioned in the text you are illustrating. Make the vice-president of the big engineering company, or the chairman of the board, be a woman in your drawing. Just as naturally as it should be! A family does not always has to contain a mother and a father in a picture. Draw two women with a child, or two men. For example.

And humour is a great thing. Humour wipes away destructive thoughts. Humour and creativity: an unbeatable combination. :)

Check out more of Lena's work on her website or her shop or her blog.

This article contributed by Anna Nilsson of Pencil & Pipette.