One
day George decides to take Rosie to the dog park, but the park is full of dogs
that Rosie doesn’t know, which makes her feel lonelier than ever. So when big,
loud Maurice and small, yippy Fifi bound over and want to play, Rosie’s not
sure how to respond. Is there a trick to making friends? And if so, can they
all figure it out together?
This
acclaimed author-illustrator duo creates a new take on the joys of finding your
pack. Full of humour and pathos, Good Rosie! is a must-have book for dog lovers and, as Kate says, about 'meeting your people' out later this year. Join us today for this fascinating and entertaining conversation with Rosie's creators, Kate DiCamillo and Harry Bliss.
The genesis for this book is a little unusual. Can you tell us about how the collaboration started?
Harry:
Kate and I had worked on a picture book previously, and some years later I’d
wanted to work with Kate on a book of dog poems, inspired by a poem she’d
written for another book that I’d made an image for: “Snow, Aldo.”
Kate:
That painting is hanging on my living room wall. I’m looking at it as I type
these words. Ever since then Harry and I have wanted to do a dog book together.
And about four years ago we were both in South Dakota for a festival, and I
said, “When are we going to do that dog book?”
Harry:
Time passed and I kept nagging her, sort of, not really, but every six months
or so I’d think to myself, “Hey, I wonder why Kate hasn’t written a dog
manuscript yet?” Then one afternoon I got Good Rosie! and I was off and
running.
Can you discuss why the
graphic storybook format with the panels that progress through the story works
so well for this particular book?
Kate:
Harry is probably better suited to answer this question than I am. All I know
is that we both wanted kind of a Charles Schulz feel to things — that
heartbroken, wise, hopeful quality. And once you start thinking about Charles
Schulz, you start to think in panels. Plus, I like how the panels contain
things, make them feel safer, more approachable.
Harry:
I’m a huge fan of the comics, and I wanted this story to move in a very
specific way. The space between each panel allows the reader to use their
imagination to fill in their own narrative, which is essential to the comic
form. Words and images together activate lobes of the brain in the deciphering
of the narrative, but when you break down a traditional picture book into
comics, an additional layer is then added. It’s actually been proven that
various lobes are essentially more “fired up” when the comic format is
employed. I can’t speak to why I chose this form for Rosie. Perhaps it’s my way
of revisiting my comic book–reading childhood. Plus, it’s just fun to spend
time in these boxes. . . .
Harry and Penny the Poodle |
Kate:
I never think about messages when I’m writing, and it’s only afterward (when
the book is done) that I can start to figure out (with other people’s help)
what a book is about. I think that maybe Good Rosie! is about how we all need
to find our people (or our dogs) and that those friendships are necessary and
maddening and wondrous.
Harry:
I will say that after finishing Rosie, I like the way these three dogs find
friendship. It’s not always easy letting your guard down, letting someone into
your world of insecurities, and I feel this book touches on that in a very
intimate and “real” way.
Harry:
I’m an animal person. I’d throw myself in front of a car to save my annoying
dog, Penny. I tell my shrink that when Penny dies, I’ll be a wreck for at least
six months. What do animals bring to our lives? Empathy.
Kate:
Well, right now I am on borrowed time. Ramona is on her back with her feet in
the air, in front of the fireplace. Any minute now she will insist on me
getting off the couch and taking her out into the world. Into the joyful
present — which smells like squirrels and snow.
Harry:
My dog is a scruffy mini poodle, twelve years old and absolutely wonderful. Her
paws smell like corn chips and her breath is like a trash can, but she has me
tied around her flea collar 24-7.